Image Credit: Eric McCandless/ABC; Justin Lubin/Fox; Richard Cartwright/CBS; Eric McCandless/ABCWe’ve already seen the death of six new shows (Lone Star, My Generation, The Whole Truth, Undercovers, Outlaw and Running Wilde, though Fox hasn’t officially canceled the latter) as well as the departure of some old ones (So long, Medium! Looks like you’re out the door, too, Life Unexpected!) So it probably shouldn’t come as any surprise that HUT levels among CBS, NBC, Fox and ABC (that’s “homes using television”) are down 3 percent this year (from 39.7 million to 38.5 million).
Does that mean there weren’t enough good shows to watch on the Big Four this fall? Glee, Modern Family and The Good Wife fans would probably disagree, but it’s never good when so many freshman series tank before the holidays. Here’s how all the shows ranked in total viewers from Sept. 20 to Nov. 28:
1. NCIS (CBS) 21.3 million
2. Dancing with the Stars (ABC) 21.2 million
3. NFL Sunday (NBC) 20.2 million
4. Dancing with the Stars results (ABC) 18.5 million
5. NCIS: LA (CBS) 17.4 million
6. The Mentalist (CBS) 17.3 million
7. Criminal Minds (CBS) 16.2 million
8. CSI (CBS) 15.9 million
9. Two and A Half Men (CBS) 15.5 million
10. NFL Sunday pre-kickoff (NBC) 15.2 million
11. The Big Bang Theory (CBS) 15 million
12. Modern Family (ABC) 14.7 million
13. Grey’s Anatomy (ABC) 14.6 million
14. Hawaii Five-0 (CBS) 14 million
15. 60 Minutes (CBS) 13.9 million
16. The Good Wife (CBS) 13.7 million
17. Survivor: Nicaragua (CBS) 13.3 million
18. Blue Bloods (CBS) 13.25 million
19. Desperate Housewives (ABC) 13.22 million
20. Castle (ABC) 13 million
21. Undercover Boss (CBS) 12.8 million
22. Glee (Fox) 12.7 million
23. Mike & Molly (CBS) 12.6 million
24. The OT (Fox) 11.9 million
25. The Amazing Race (CBS) 11.7 million
26. CSI: Miami (CBS) 11.6 million
27. CSI: NY (CBS) 11.5 million
28. The Defenders (CBS) 11.49 million
29. $#*! My Dad Says (CBS) 11.48 million
30. House (Fox) 11.19 million
31. Bones (Fox) 11.16 million
32. Football Night in America (NBC) 10.8 million
33. Private Practice (ABC) 10 million
34. How I Met Your Mother (CBS) 9.6 million
35. Law & Order: SVU (NBC) 9.66 million
36. The Middle (ABC) 9.64 million
37. Brothers & Sisters (ABC) 9.4 million
38. Skating with the Stars (ABC) 9.3 million
39. Detroit 1-8-7 (ABC) 9.2 million
40. The Office (NBC) 9.2 million
41. Rules of Engagement (CBS) 8.9 million
42. No Ordinary Family (ABC) 8.9 million
43. The Event (NBC) 8.66 million
44. Law & Order: LA (NBC) 8.63 million
45. Cougar Town (ABC) 8.62 million
46. Family Guy (Fox) 8.60 million
47. The Simpsons (Fox) 8.47 million
48. Extreme Makeover: Home Edition (ABC) 8.42 million
49. Better With You (ABC) 7.6 million
50. The Biggest Loser (NBC) 7.55 million
51. Medium (CBS) 7.53 million
52. America’s Funniest Home Videos (ABC) 7.2 million
53. Hell’s Kitchen (Fox) 7.06 million
54. Undercovers (NBC) 7.02 million
55. Outsourced (NBC) 6.75 million
56. The Cleveland Show (Fox) 6.73 million
57. Raising Hope (Fox) 6.7 million
58. Fringe (Fox) 6.69 million
59. Lie to Me (Fox) 6.60 million
60. Human Target (Fox) 6.59 million
61. 48 Hours Mystery (CBS) 6.55 million
62. Chase (NBC) 6.52 million
63. Hell’s Kitchen Wednesday (Fox) 6.51 million
64. 30 Rock (NBC) 6.50 million
65. Parenthood (NBC) 6.4 million
66. Chuck (NBC) 6.2 million
67. American Dad (Fox) 6.08 million
68. Dateline Friday (NBC) 6.04 million
69. ABC Saturday Night College Football (ABC) 6.01 million
70. Outlaw (NBC) 5.8 million
71. 20/20 Friday (ABC) 5.6 million
72. The Whole Truth (ABC) 5.5 million
73. Crimetime Saturday 9 p.m. (CBS) 5.4 million
74. Primetime: What Would You Do (ABC) 5.46 million
75. Community (NBC) 5.4 million
76. Crimetime Saturday 8 p.m. (CBS) 5.34 million
77. The Simpsons — Sunday at 7 p.m. (Fox) 5.33 million
78. Football Night in America (NBC) 5.2 million
79. My Generation (ABC) 4.88 million
80. Law & Order: SVU — Saturday (NBC) 4.87 million
81. COPS — Saturday 8:30 p.m. (Fox) 4.85 million
82. America’s Most Wanted (Fox) 4.81 million
83. Supernanny (ABC) 4.81 million
84. Lone Star (Fox) 4.5 million
85. The Apprentice (NBC) 4.52 million
86. COPS — Saturday 8 p.m. (Fox) 4.47 million
87. Family Guy encore (Fox) 4.45 million
88. Chase — Saturday (NBC) 4.2 million
89. Running Wilde (Fox) 4.19 million
90. Grey’s Anatomy — Thursday at 8 p.m. (ABC) 4.18 million
91. Outlaw — Saturday (NBC) 4.10 million
92. Modern Family — Friday (ABC) 4.019 million
93. ABC Saturday Night College Football pregame (ABC) 4.016 million
94. The Simpsons encore (Fox) 3.9 million
95. The Vampire Diaries (CW) 3.79 million
96. Law & Order: LA — Saturday (NBC) 3.76 million
97. American Dad encore (Fox) 3.5 million
98. America’s Next Top Model (CW) 3.3 million
99. Smallville (CW) 3.29 million
100. Human Target — Friday (Fox) 3.24 million
101. House — Friday (Fox) 3.04 million
102. Supernatural (CW) 3.02 million
103. The Middle — Friday (ABC) 2.97 million
104. The Event — Saturday (NBC) 2.95 million
105. Nikita (CW) 2.91 million
106. School Pride (NBC) 2.5 million
107. Hellcats (CW) 2.3 million
108. 90210 (CW) 2.05 million
109. Gossip Girl (CW) 2.04 million
110. One Tree Hill (CW) 1.9 million
Image Credit: ShowtimeShowtime has renewed Dexter, its top-rated drama series, for a sixth season. The network made the announcement in advance of Dec. 12's season 5 finale. The show scored its second-best audience ever on Nov. 28, with 2.54 million viewers. That’s just shy of the 2.57 million who tuned in for the shocking season 4 finale, and up 43 percent from its season 5 premiere (1.77 million).
Image Credit: Jessica Brooks/FXFX has canceled its fledging series Terriers, a show starring Donal Logue and Michael Raymond-James that follows two best friends who become become unlicensed private investigators in San Diego County. The series from Ted Griffin (Oceans 11), executive producer Shawn Ryan (The Shield) and Tim Minear (Dollhouse) ran for 13 episodes but only averaged about 500,000 viewers per episode.
See that over there? That’s the end of Dexter‘s fifth season, peeking around the corner, holding a needle behind its back, waiting anxiously for you. The only thing standing between you and it is Sunday’s “Hop a Freighter,” the second-to-last episode of the year. Craving a preview of the action? You’ve come to the right blog post. We give you four teases from Dexter executive producer Manny Coto—and two exclusive clips from the episode.
Image Credit: Andrew H. Walker/Getty ImagesSpike TV has scored Neil Patrick Harris, former emcee of the Emmys, the Tonys, the TV Land Awards, and the World Magic Awards, to host its 8th Annual Video Game Awards live on Dec. 11. Some of you may be thinking Neil shouldn’t say “yes” to every hosting gig he’s offered, but I’m always a fan of entertainers championing the things they’re passionate about — even if it takes them to cable. (And with Spike TV’s Scream Awards becoming so star-studded, the network is doing something right.)
Reese WitherspoonLucas Jackson/Reuters/LandovShe may be happily keeping company with agent Jim Toth now, but Reese Witherspoon still remembers her share of bad dates.
Image Credit: Bob D'Amico/ABC (2)If there’s one thing the Palin family knows how to do, it’s fire back. On Saturday night, Bristol Palin posted a 655-word retort to Margaret Cho’s Nov. 29 blog post titled “Pistol Whipped” claiming that she heard from someone who “really should seriously know the dirt really really” that Bristol only did Dancing With the Stars because Sarah Palin forced her to do it. “Sarah supposedly blames Bristol harshly and openly (in the circles that I heard it from) for not winning the election,” Cho wrote, “and so she told Bristol she ‘owed’ it to her to do DWTS so that ‘America would fall in love with her again’ and make it possible for Sarah Palin to run in 2012 with America behind her all the way. Instead of being supposedly ‘handicapped’ by the presence of her teen-mom daughter, now Bristol is going to be an ‘asset’ — a celebrity beloved for her dancing.” Bristol begins her response be reiterating the reasons she’s already said she did the show: to get out of her comfort zone, exercise, and increase her confidence. She says her mother neither forced her nor asked her to do the show. “After first worrying for me in terms of being exposed to those who hate us for what we believe in, both my mom and my dad became my number one supporters. Anyone who watched the show could tell I performed better, and I felt better about myself, when they were in the audience. I wanted to make them both proud, but politics had nothing to do with it. Loving my parents had everything to do with it,” she writes.
If there was any doubt New Directions could still kill with Journey’s “Don’t Stop Believin’”, just watch their live performance last night on Britain’s The X Factor. While Mark Salling had the best entrance (pelvic thrust!), Amber Riley stole the show by standing right in Simon Cowell’s face and belting out a couple of high notes. You may recall hearing that Riley once tried out for American Idol — and was rejected by producers, so she didn’t even get to sing in front of the judges.
Image Credit: Virginia Sherwood/NBCHi Apprentice fans! We’re almost at the finish line for The Apprentice and I couldn’t be more fascinated by all the excitement on this week’s episode. With the two finalists being announced and former contestants returning, the game is the most cutthroat it has ever been — just the way we all like it on reality TV!
Image Credit: AP ImagesI had a perfect introduction to Elaine’s, Elaine Kaufman’s legendary New York City restaurant: I was first brought there in what must have been the winter of 1980 by the late, great Claudia Cohen, then editor of the New York Post‘s Page Six. Claudia knew everybody, from Elaine’s favorite strays, seated at what was known as the Family Table, across from the bar, to all the regular bold-face names. We got our own table, not far from one that included Claudia’s recent paramour Albert Finney, then starring as Daddy Warbucks in Annie. Plunging into the banter among the tables, I instantly saw why Elaine’s was so popular — it was like a cross between the Algonquin Round Table and a raucous junior-high-school cafeteria. At one point, Finney commented that he’d always wanted to learn to wolf-whistle, so I volunteered to teach him. While demonstrating, I let out a piercing whistle. Elaine shot up and scanned the room, face clenched in irritation, ready to reprimand, and I felt her eyes settle sternly on me. Then she saw that Finney was leaning in, fingers in his mouth, obviously trying to do the same. Her entire face and posture relaxed, and I was in.