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Friday, October 15, 2010

TI Says He Felt Compelled To Help Suicidal Man - MTV.com

T.I. usually moves fans with his high-priced music videos, but on Wednesday, a grainy cell phone clip of the rapper relaying a message to a suicidal would-be jumper proved to be just as successful as a Chris Robinson visual.

The Atlanta native (born Clifford Harris) made headlines when it was reported that he assisted authorities in talking a man down from a high-pressure situation.

T.I. said he wasn't sure what he could do, but once he was alerted, he felt compelled to act.

He spoke to MTV News late last night to explain the scene upon his arrival.

"The negotiator spoke to me, and asked me what I was willing to do," Tip said. "I asked them, 'What do you think I should do?' And they didn't just relay the message that I wanted to speak to him. I was willing to help in any way that I could to help fix the situation and try to see if we could get this situation back to where it was before [the emergency].

"Then they came up with the idea of shooting a video message on the phone. So, the policeman shot a video of me on the phone. I sent a video message to [the man] telling him, basically, just that [I wanted to help]. Once they sent it to him, about 20 minutes later, he decided to come down."

The rapper's heroics came during the late afternoon, after he'd heard about the incident on Atlanta radio station V-103. The station is housed in the same building off which the man was threatening to jump from the 22nd floor. The man was not charged, and was taken to a hospital afterward, according to NBC affiliate 11Alive News.

T.I., who shines with confidence as an MC, revealed that throughout the ordeal, he was unsure what his help could provide.

Fortunately for all involved, however, the rapper proved to be a calming force amid the chaos.

"I didn't know for sure what I could do," T.I. told MTV News. "Something inside me just felt compelled to try."

Is T.I. a hero? Share your thoughts in the comments.


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James Cameron to direct Angelina Jolie in ‘Cleopatra’?

It’s incredibly early, but a source confirms Deadline Hollywood’s report today that James Cameron is having exploratory conversations with Sony Pictures about coming aboard the Cleopatra project the studio is developing for Angelina Jolie as a star vehicle. Brian Helgeland (Green Zone, Robin Hood) is writing the script and Social Network producer Scott Rudin is on board to produce. The project is based on Stacy Schiff’s book Cleopatra: A Life.

That’s one A-list combination, and it would be interesting to see them tackle the fascinating story of the Egyptian queen. Stay tuned…


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Box office preview: ‘Jackass 3D’ and ‘Red’ compete for top slot this weekend

jackass-3dLadies and Gentlemen, we may actually have a race on our hands this weekend at the movies, now that the once-ignored old-fogey actioner Red is gaining momentum on Jackass 3D when it comes to tracking. Men over 30 are still the audience most anticipating Red — which stars Bruce Willis, Helen Mirren and John Malkovich — but if Summit Entertainment can lure the ladies, the film could finish first. On the opposite spectrum, Jackass is appealing to the young male moviegoer, as expected. But there’s the fact that Johnny Knoxville’s last endeavor, Jackass Number Two, earned $29 million back in 2006 — that gross coupled with the extra charge for 3-D on this go-around still makes the gross-out stunt comedy a formidable opponent. Read on for my predictions.

1. Jackass 3D: $30 million

It would probably be a big disappointment if Paramount couldn’t exceed its opening weekend gross earned by Jackass Number Two four years ago. What with all the ridiculous promotion and 3-D extras, it seems like a $30 million opening is in the bag. Yet, with the box office acting so strange lately, and no film opening in the $30 million range since The Expendables bowed in mid-August, anything is possible.

2. Red: $25 million

Perhaps this is too generous an opening number. I know the studio would be happy with $20 million. But it’s rather encouraging to see some uptick in tracking data heading into this weekend. I’m sure the Paramount folks thought they were in the clear for the first slot this frame. But with a wide swath of the movie-going public showing interest in this group of retired CIA officials, a surprise showing could be in Red‘s future.

3. The Social Network: $10 million

The David Fincher-directed drama has already earned close to $51 million at the box office — with room to grow. Last weekend saw the Facebook drama fall a scant 31 percent, an encouraging sign for both its box office and its awards potential. I’d look for a steeper drop this frame, but perhaps it won’t fall more than 35 percent, considering how strong word-of-mouth is on this must-see movie.

4. Secretariat: $7.5 million

It may not have had much of an opening, but this feel-good horse racing flick could actually hold in well. Audiences love the movie, families can go together to see it, and word-of-mouth could have an impact this frame. If the film falls 40 percent, it would hold in nicely. This definitely won’t be Disney’s version of The Blind Side, as its marketers predicted, but a strong hold could keep it in theaters a bit longer.

5. Life As We Know It: $7 million

It’s going to be a tight race between this Katherine Heigl-starrer and Secretariat, though I’d give Secretariat the edge in its sophomore session. Expect a 50 percent fall on Life, as few men will be caught dead in the theater.

Opening limited this frame is the right-wing documentary I Want Your Money, while Warner Bros. will bow Clint Eastwood’s supernatural drama Hereafter in six theaters ahead of its wide release next weekend. Meanwhile, Fox Searchlight will open its Oscar bait, the Hilary Swank-starrer Conviction, in 11 theaters this weekend.


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CBS wins Wednesday thanks to strong performance by ‘The Defenders’ and ‘Criminal Minds’

defenders-criminal-mindsImage Credit: Sonja Flemming/CBS; Ron P. Jaffe/CBS Record 20863302Looks like no one should underestimate the appeal of Jim Belushi! The Defenders had a great night Wednesday and swept its timeslot among viewers (9.9 million) and adults 18-49 (a 2.5 rating/7 share). Compared to last week, the legal drama that also stars Jerry O’Connell was up 14% in the key demographic and 6% in viewers.

But then the freshman series got a great deal of help from Criminal Minds, which was the night’s most-watched show (13.8 million). The drama won its timeslot among adults 25-54 but trailed in second place in the key demo with a 3.5/9. Each 18-49 ratings point represents 1.3 million viewers.

Overall, CBS won the night in viewers  (11.9 million) and adults 18-49 (3.2/9), with Survivor: Nicaragua enjoying another winning performance at 8 p.m. The reality show reigned in viewers (12.1 million) and adults 18-49 (3.7/11) and gained an additional 80,000 viewers versus last week. CBS has won the 8 p.m. timeslot for five consecutive weeks.

Fox came in second for the night among adults 18-49 (3.1/9) because of another impressive performance by a two-hour version of Hell’s Kitchen. The show is especially popular with adults 18-34 and teens; It ranked No. 1 in both demos. Overall, the show averaged 6.7 million viewers.

Over at ABC, Modern Family won its timeslot yet again among adults 18-49 (4.7/13) and all the major demographics. It averaged 11.3 million viewers, placing second in the timeslot behind Minds. The drop off to Cougar Town, however, was substantial: The comedy posted a 3.2/9 in 18-49 and averaged 7.2 million viewers. And its tough going for ABC’s new Better With You at 8:30:  That laugher rounded up a mere 2.1/6 among 18-49 and 6.4 million viewers.

Overall, ABC finished second for the night in viewers (7.5 million) and third in adults 18-49 (2.7/8).

Onto NBC and its struggling freshman drama Undercovers. J.J. Abrams’ groundbreaking drama that features two black leads just hasn’t gelled with fans. It only averaged 5.9 million viewers last night  and a 1.4/4 in 18-49. It barely beat the CW in the first hour. Law & Order: LA is faring a little better; it averaged 7.1 million viewers at 10 and came in second behind The Defenders.


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'30 Rock' live: On the scene!

SPOILER ALERT! Don’t read any further if you haven’t yet watched tonight’s live 30 Rock fandango. I was lucky enough to be in the audience of the 8:30pm East Coast taping (along with my colleague Michael Ausiello) and it was a lot of fun, kinda like a truncated Saturday Night Live taping. After each skit, the cast would quickly jet off stage to prepare for their next moment. In between commercial breaks, the SNL band played music. My other colleague Archana Ram attended the dress rehearsal earlier in the evening and not much seemed to have been changed.

Executive producer Lorne Michaels walked out before the show and surveyed the sets, particularly Jack’s office. Cheyenne Jackson and Jane Krakowski warmed up the audience with some tunes (and Krakowski did seem to once again have trouble with her dress). The audience applauded the (kinda) surprise guest-stars like Matt Damon, Rachel Dratch, Chris Parnell, Bill Hader, Jon Hamm, and—the biggest actual surprise of the night—Julia Louis-Dreyfus. TV fans may remember that Tina Fey thanked Julia Louis-Dreyfus in her 2008 Emmy speech by saying that whenever she’s at an acting loss on 30 Rock her husband tells her to act like Louis-Dreyfus. Then, Louis-Dreyfus paid Fey back in a comedy skit on Late Night with Conan O’Brien in which she pretended to steal Fey’s Emmy. The pair shared a nice albeit surreal moment after the final sketch, laughing while clad in the same outfit.

Throughout the taping, everyone seemed to be almost giddy with excitement. Lots of smiles from the actors and Fey danced a little jig as the cast was introduced moments before the show. Alec Baldwin even got in the dancing spirit by the end of the night, doin’ a two-step with the robot and bear, a.k.a. Liz Lemon’s birthday guests.

There weren’t a ton of stars in attendance from what I could tell. NBC News Brian Williams was in the audience as well as NBC execs Angela Bromstad and Jeff Gaspin.

Overall, the audience seemed to have a great time and I personally laughed out loud throughout. Hopefully it played as well at home.

What did you think of the live 30 Rock episode, PopWatchers? Did they pull it off?


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