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Showing posts with label iTunes. Show all posts
Showing posts with label iTunes. Show all posts

Wednesday, November 17, 2010

iTunes holdouts: Who's left?

garth-brooks-kid-rockImage Credit: Janet Mayer/PR Photos; Solarpix/PR PhotosMetallica were the first to cave, in mid-2006. In November of 2007, Led Zeppelin followed; in June 2008, Radiohead finally said OK, computer. And yesterday, of course, was the day the Beatles pledged “I Will” to iTunes.

But there are, famously, a few very firm holdouts–artists who refuse to parcel their music for the digital marketplace. Below, the main players, and the reasons they’ve given:

AC/DC: Two years ago, Angus Young explained to the New York Times that they could not abide breaking up their albums for individual track sales: “It’s like an artist who does a painting. If he thinks it’s a great piece of work, he protects it. It’s the same thing: this is our work.”
That same month, frontman Brian Johnson told Reuters, “”Maybe I’m just being old-fashioned, but this iTunes, God bless ‘em, it’s going to kill music if they’re not careful … It’s a…monster, this thing. It just worries me. And I’m sure they’re just doing it all in the interest of making as much…cash as possible. Let’s put it this way, it’s certainly not for the…love, let’s get that out of the way, right away.” (Walmart, however, is all about the love.)

Garth Brooks: Last year, the semi-retired country superstar told writer Lisa L. Rollins,  These [Apple] guys are sweet guys, but they’re businessmen, so they understand. … They truly think that they’re saving music. My hat’s off to them. I looked at them right across the table with all the love in the world and told them they were killing it. And until we get variable pricing, until we get album-only [downloads], then they are not a true retailer for my stuff, and you won’t see my stuff on there—with all the love in the world. That’s nothing that they haven’t heard, either.”

Kid Rock: In a 2008 EW feature, he said ”I just don’t like being told what to do. I don’t have a beef with Apple, or iTunes, or any of them. I do have a beef with that it seems kind of socialist of them to charge the same price for every song. What if every car cost $4,000, you know what I mean? A song from my neighbor’s garage band is not the same value as Bruce Springsteen’s ‘Born to Run.’ I just want to decide how my product gets sold with the people who sell it.” (Kid’s rep confirmed to us today that his views have not changed.)

Also still unavailable: The Smiths (aside from their greatest hits, and a few soundtrack one-offs), ToolDef Leppard, Bob Seger, and the bulk of the Black Sabbath and Frank Zappa catalogs. (iTunes declined to comment for this article.)

Tell us, readers—are these artists hurt by their absence, or is their integrity worth its weight in iBucks? Is the notion of that integrity misplaced? And are fans genuinely affected by the lack of digital availability, or is uploading physical discs into an online library merely a brief chore for a rainy day? Let us know in the comments section below.

(Follow the Music Mix on Twitter: @EWMusicMix.)

More from EW.com:
Apple finally gets rights to Beatles catalog on iTunes
Band of Horses’ biker-themed ‘Dilly’ video: Watch it


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Beatles finally allowing digital downloads on Apple's iTunes - Washington Post

Washington Post Staff Writer
Tuesday, November 16, 2010; 9:29 PM

The Beatles, their surviving heirs and their misguided management finally turned in their Flat Earth Society membership cards Tuesday, allowing the sale of their music as digital downloads on Apple's iTunes Store. La-dee-freakin'-da.

I'm sorry, were you expecting congratulations here?

This absurdly overdue development happened shortly before 10 a.m. - slightly in advance of the vague prediction posted on Apple's home page Monday.

Apple now offers all 13 remastered Beatles studio albums and the three major post-breakup compilations as multimedia-enhanced "iTunes LP" downloads, plus a $149 "box set" that includes all those releases and a video of the band's 1964 concert at the Washington Coliseum. (You can watch that last item for free in iTunes through the rest of the year.)

Individual songs cost $1.29 each, while single albums sell for $12.99 and double releases cost $19.99.

Apple's news release only cites that concert film as an exclusive. But the Fab Four's work doesn't show up on Amazon's MP3 store, Apple's main rival in the digital-download business. You can, however, continue to buy their CDs off the Seattle retailer's site - in some cases, for $3 to $5 less than what Apple charges.

That seems a fitting conclusion to this band's history of digital denial.

It's been almost seven years and seven months since the iTunes Store opened for business as the iTunes Music Store. The Beatles would have looked like visionaries to join Apple in this venture, and I'm sure Apple chief executive Steve Jobs would have given every black turtleneck he owns to have them. But they held back.

Three and a half years ago, Apple announced that it would stop requiring "digital rights management" restrictions on iTunes downloads - just a few months after Apple and the Beatles' Apple Corps record label had settled a long-running dispute over their similar names and logos.

The Beatles would have been hailed as pioneers for following up on that resolution by bringing their music to the Internet free of DRM shackles (even if that credit properly goes to the independent labels that never sought DRM in the first place). But they stayed aloof.

Just a year and a half ago, Apple banished DRM entirely from the iTunes Store's music inventory. But the Beatles picked that very day - as if they were flaunting their obstinance - to announce they'd be digitally remastering their catalogue for another re-release on CD.

Last September, the band licensed its music for inclusion in the Rock Band video game. But download sites continued to stock only the occasional cover version of their work.

Tuesday, the Beatles finally ran out of excuses for not letting downloaders give them their money. Alas, seven years is a long time to cede the market to file sharers and CD swappers who readily provided something that they would not. Is there anybody left online who doesn't already have all the Beatles MP3s they want?

This is a point that often gets overlooked in entertainment circles: The market continues to function even if the logical and rightful supplier of a product refuses to participate. The ease of duplicating and transmitting digital data ensures that somebody else will fill that vacancy.

You can mope about the massive copyright infringement that results from this dynamic, but the best way for artists to reverse it is to get into the market themselves.

Now that the Beatles have finally ended their tiresome, we're-too-good-for-the-Internet act, perhaps that change of heart (or the money they'll make off iTunes downloads) will lead to a similar rethinking among the lesser musicians who have also boycotted the download market.

That doesn't justify any media celebrations or heartfelt Baby Boomer ruminations over a band's decision to let its customers pay them. It certainly doesn't merit Apple's overclocked hype machinery, which had its home page promising visitors that Tuesday would be a day "that you'll never forget."

We probably will. And in the end, the Beatles will remain great artists. They have, however, proved themselves to be lousy capitalists.


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