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Showing posts with label master. Show all posts
Showing posts with label master. Show all posts

Friday, November 12, 2010

Dino De Laurentiis, movie producer and master showman, dies at 91 - Los Angeles Times

Dino De Laurentiis Dino De Laurentiis holds his Irving Thalberg Award at the 73rd Academy Awards in 2001. (Mike Blake / Reuters)

Dino De Laurentiis, the flamboyant Italian movie producer who helped resurrect his nation's film industry after World War II and for more than six decades produced films as diverse as the 1954 Federico Fellini classic "La Strada" and the 1976 remake of "King Kong," has died. He was 91.

De Laurentiis, who moved to the United States in the 1970s and continued to produce films until 2007, died Wednesday night at his Beverly Hills home, his daughter Raffaella De Laurentiis, said in a statement Thursday. The cause was not given.

Once described by Los Angeles Times columnist Patrick Goldstein as "a master showman, the last survivor of a bygone era of swashbuckling Hollywood producers ... who made movies fueled by grandiose schemes and consummate salesmanship," De Laurentiis launched his long career as a producer in Italy in the 1940s.

In the 1950s, he produced two Oscar-winning best foreign films — Fellini's "La Strada" (with then-partner Carlo Ponti) and Fellini's "Nights of Cabiria" (1957).

During the De Laurentiis-Ponti partnership in the '50s, they launched into foreign film production in Italy, producing director Mario Camerini's "Ulysses," starring Kirk Douglas, Silvana Mangano and Anthony Quinn; and King Vidor's "War and Peace," starring Audrey Hepburn, Henry Fonda and Mel Ferrer.

As film producers in Italy after World War II, "De Laurentiis and Ponti in particular took the function of producer, which had never been highly regarded in European cinema before this, and raised it to a higher level," said USC film professor Rick Jewell.

De Laurentiis, Jewell told The Times in 2007, "was involved with some very important films at that time. Those films didn't just help resurrect the Italian film industry but brought attention to the Italian film industry that it had never done before."

While mentioning De Laurentiis-produced films by Italian directors such as Fellini, Vittorio De Sica and Roberto Rossellini, Jewell said that De Laurentiis also "got involved in foreign productions in Italy at a time when Hollywood in particular was looking to make films overseas for various reasons, and he jumped on that with films like 'War and Peace' and 'Ulysses.' "

In 1962, the prolific producer began building a sprawling studio complex on the outskirts of Rome that he called Dinocitta — Dino City.

During the 1960s — he is credited with pioneering the now-common practice of financing films by pre-selling the distribution rights in foreign countries — De Laurentiis produced films such as director Richard Fleischer's "Barabbas," starring Anthony Quinn; John Huston's star-studded "The Bible"; and Roger Vadim's "Barbarella," starring Jane Fonda.

His company also produced Franco Zeffirelli's adaptation of "Romeo and Juliet."

After selling his studio and moving to the United States in the 1970s, De Laurentiis produced films such as "Serpico," "Death Wish," "Three Days of the Condor," "The Serpent's Egg," "Ragtime" and "Conan the Barbarian."

But De Laurentiis' name also became synonymous with expensive box-office failures such as "Dune," "Tai-Pan" and "King Kong Lives."

Veteran Associated Press Hollywood reporter Bob Thomas once summed up De Laurentiis' varied output as "high-brow and low-brow, huge moneymakers and expensive flops."

Hit or miss, in an industry in which directors are deified, De Laurentiis had no doubt as to where he stood in the cinematic scheme of things.

"If no producer, no movie," he growled in a 2002 interview with Canada's The Globe and Mail.

By 1985, De Laurentiis was running a 32-acre movie studio in Wilmington, N.C. The same year, he acquired Embassy Pictures and formed the De Laurentiis Entertainment Group (DEG), a distribution and production company.

Among the films produced under the DEG banner was avant-garde director David Lynch's "Blue Velvet," which was a critical hit but a disappointment at the box office.

After producing what one analyst called "too many high-priced films, which had minimal commercial value," De Laurentiis stepped down as chairman in February 1988, and six months later his company was forced to file for bankruptcy.


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Thursday, November 11, 2010

‘Vampire Diaries’ scoop: Katherine’s diabolical master plan, her history with Klaus, and Damon’s chest all revealed tonight

vampire-diariesEvery episode of The Vampire Diaries on The CW is a big episode thanks to the pace set forth by executive producers Kevin Williamson and Julie Plec. But tonight’s promises to be extra revealing: We finally learn about Katherine’s diabolical master plan. “After nine episodes of that question — ‘What are you doing back in town? What is it that you want? Why are you here?’ — finally, she explains herself,” Plec says. “We are incredibly proud of this episode, mostly because the work Nina Dobrev does is unbelievable. She plays Katherine as a human in Bulgaria with a Bulgarian accent, she plays human Katherine pretending to be English in the English countryside, she plays Katherine as a vampire in present day, she plays Elena. And a good portion of the episode is Elena and Katherine having a conversation, so she’s essentially acting opposite nothing, a stand-in or air. This is her episode to shine.” We chatted more with Plec, a master teaser, to find out what’s going down tonight (including who will be shirtless — you’re welcome!) and what’s to come. Check it out below. 

• We won’t be meeting Klaus, but we will be hearing all about him: “This episode gives us a lot more information: Who he is, how desperately afraid people are of him and have been since the beginning of time, how Katherine crossed his path and drew his ire, and how her experience with Klaus shaped who she is today,” Plec says. “We get to learn that all through some pretty amazing flashbacks that take us from Bulgaria, to the English countryside, back to Bulgaria — all set against the stuff that’s happening in the present day. The mystery of Klaus and when we’ll see Klaus is going to be the same question of ‘When will we see Katherine?’ from last season. We’re gonna learn a lot about him and be hopefully very afraid of him before we ever lay eyes on him. That’s gonna be a nice, big, long healthy tease. It’s so funny, the way we dropped the bomb of his name last episode [Rose said The Originals, the oldest vampires, will be coming for Elena, and they'll be doing it for him, Klaus], Kevin and I were laughing. We’re like, the book fans are gonna lose their freakin’ minds in this moment, and the rest of America is gonna go, ‘Huh… Alright. Who’s that?’ [Laughs] But it’s one of those moments that you’re like, I don’t care because I know the million book fans are gonna be so excited that it’s worth it.” We found out in last week’s episode that Katherine was the first Petrova doppelgänger. Does that mean we could, conceivably, see Dobrev playing three roles in an episode at some point? “I think there’s always a chance — not this year. We have our little Charlotte Petrova character in our heads that we laugh and joke about in the writers room,” Plec says. “Whether we decide to go back to year 1200 and meet her, or maybe she was trollin’ around World War II Germany or Woodstock in the ’60s, who knows. It’s something that we have fun with, but it’s not in our canon as of yet.”

• Another slow tease: The story of The Originals and what powers they have will be a good portion of the rest of the season, Plec says. “It’s gonna be a big surprise for all of them [Damon, Stefan, Elena, Rose] when they come face-to-face with Elijah again, and then the question of ‘Well, how do you kill an Original?” is a big one that they’ll have to seek out answers to, and that’s gonna give us a lot story for upcoming episodes.” Tonight, we learn of one power that an Original vampire has that is unexpected.

• We’ll see how Damon’s decision to walk away from his love for Elena influences his next move. Plec loved that scene — and Damon’s single tear — as much as fans did. “We did that for the first time, compel somebody through tears, when Caroline compelled her mom. We all thought it was so beautiful, and so simple and sweet — this vampire ability that is occurring during a very real human moment. Being able to have Damon express his humanity in that moment was really wonderful,” she says. “I think that Damon compelling Elena to forget [that he said 'I love you'] was actually the true hero moment. It wasn’t saying, ‘I don’t deserve you, my brother does.’ It was saying, I don’t even want you to know this because I don’t even want you to think about it. I don’t want it to even be out on the table as an option or a possibility. I just need to get it off my chest. I need to have said it once, and then we’ll both go on like it never happened.” We know that Rose likes bad boys and will be an unlikely ally to the Salvatore Brothers now that Elijah has killed her best friend, Trevor. Could Damon’s next move involve sex with Rose? (Pretty please!) Plec wouldn’t say, but we have hope for two reasons. 1) She says Rose and Damon go off on a little adventure to track down more information on Klaus and his whereabouts. “As much as she talks a big game, she’s actually missing her best friend and is really a scared, frightened, sad, sweet person who, much like Damon, covers up her own vulnerabilities with a tough exterior. So she and Damon connect on that level of realizing that caring can often be painful, so why bother. They have a nice kindred spirit connection.” 2) Later in the conversation, when asked when we’ll see more skin on the show, she said, “I can tell you that there is some bare chest action courtesy of one Mr. Damon Salvatore that happens in this episode.” [Did I actually cheer hearing that? Yes, I did. Professional!]

• Someone comes between Bonnie and Jeremy. “We’ve got some good story brewing with the arrival of this new kid in town, Luka, and what he has to offer her and how they connect, and how it disrupts the sweet, growing romantic chemistry between Bonnie and Jeremy,” Plec says. “I’ve said it before, this season is about watching Jeremy grow from a boy into a man. One of the best ways to show that is to show someone who always looked past him because he was her friend’s little brother starting to maybe, possibly, slightly, the tiniest bit consider him as a peer. He’s, of course, been through hell and back and tends to fall pretty hard and love pretty intensely, so watching him pursue her and her fight that will be some good stuff. And Luka drops right in the center of it. Poor Jeremy’s gonna have to figure out how to change his game a little.” Tonight, we meet Luka and his dad, Jonas. “We meet Jonas very quickly, but they’ll become more present in the episodes that follow. As is true with pretty much anybody who enters Mystic Falls, they have a secret. What that secret is and how it connects to Bonnie will be part of the mystery,” Plec says.

Think that was good stuff? Come back to tomorrow when we have scoop on Tyler and Caroline.

Follow: @EWMandiBierly

More Vampire Diaries:
Recaps of all Season 2 episodes
Vote for Paul Wesley in the first round of EW.com’s Under-appreciated Entertainer of the Year Bracket Game
Michael Trevino talks Tyler (and his first badass leather jacket)


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