Meghan Shop

Sunday, December 12, 2010

Miley Cyrus -- Not Dazed by Bong Controversy - TMZ.com

12/12/2010 1:00 AM PST by TMZ Staff   Miley Cyrus isn't letting the uproar over her bong use knock her off her game -- in fact sources say since the video of Miley experimenting with drugs came out ... the 18-year old's been a total pro on the set of a movie.

1209_miley_EX_TMZ_02Miley arrived in New Orleans last week to shoot "So Undercover" -- and sources close to the production say hours after TMZ published the video of Miley taking bong hits ... she showed up for rehearsals.

We're told Miley and her co-star -- Kelly Osbourne -- ran through script lines, as scheduled, on Friday. According to our sources ... Miley knew the bong video was out, but "she kept her focus on the movie."

Miley's mom, Tish, is a producer on "So Undercover." It's unknown if she is on set yet ... filming isn't scheduled to begin until later this week.


Tags: Miley Cyrus, Tish Cyrus


View the original article here

Exclusive: ‘Hawaii Five-0′ books a brother for Danno

Hawaii-Dane-Cook-Caan_320.jpg Image Credit: Neil Jacobs/CBS; Inset: Jamie McCarthy/Getty Images A comedian is about to hang ten with the cast of Hawaii Five-0. EW has learned exclusively that Dane Cook has been cast to play the brother of Danny “Danno” Williams (Scott Caan). For now, he’s set to appear in one episode that’ll air in February.

Cook was last seen in the flicks My Best Friend’s Girl and Dan in Real Life. His TV appearances has been mostly devoted to his comedy act; he’s done a bunch of specials for HBO and Comedy Central. His early scripted TV work included Good Girls Don’t and Suddenly Susan.

Read more:
Scott Caan: Fall TV’s new action star
Dane Cook Shapes Up


View the original article here

Video Game Awards: A mixed bag

Neil-Patrick-HarrisImage Credit: Frank Micelotta/Getty ImagesRed Dead Redemption, Mass Effect 2 and God of War 3 were big winners at Saturday’s Spike Video Game Awards. Neil Patrick Harris, who hosted the ceremony, won Best Human Performance (Male) for his vocal work as Peter Parker/Spider-Man in Spider-Man: Shattered Dimensions. Red Dead Redemption–an open world Western from Rockstar Games (Grand Theft Auto) prickly with provocative themes that evoke Clint Eastwood’s Unforgiven–won Game of the Year and three other awards. Mass Effect 2–a role playing game with a deep, rich sci-fi world–bagged three awards including Studio of the Year for BioWare. God of War 3–the latest chapter in Kratos’ war of vengeance against the Greek gods–won in the Best PlayStation 3 Game and Best Graphics categories.

Other notable winners included actress Tricia Helfer (Battlestar Galactica), who won Best Human Performance (Female) for her vocal work in Starcraft II: Wings of Liberty, which also won for Best PC Game. Super Mario Galaxy 2 won for Best Wii Game; Call of Duty: Black Ops won two awards including Best Character (Sgt. Frank Woods); and Halo: Reach won for Best Multi-Player Game. [Full disclosure: I served as a judge for this year's Spike Video Game Awards. My responsibilities included voting for candidates and then casting a vote in each category once the finalists were determined. A full list of winners--which I did not know in advance--can be found at Spike's site.]

The show itself reminded me of some videogames I’ve played: visually spectacular (thanks to a Tron-meets-Soul Train production design, enhanced by 3-D virtual set extensions that only TV viewers could see), emotionally empty, and occasionally marked by bad taste, most of which Neil Patrick Harris was forced to facilitate. The opener was a fake-out that played to Harris’ awards show-hosting rep. You expected him to come out and sing a kudosfest-spoofing tune. Instead, he took the stage looking Barry Stinson debonaire and radiating macho cool… and packing heat, which he used to fake-slaughter a troupe of dancers, their white tuxes blooming with fake red blood. It was an obvious joke that fell totally flat, and worse, it played to another image–a cultural view of videogames as a genre of entertainment largely defined by those games that are gratuitously violent. I’m surprised that something designed to celebrate the “art” of the medium would promote that cliche.

I would have killed to have been a fly on the wall of Harris’ brain as he gamely (and regretfully?) soldiered through the show. One of the ceremony’s edgier moments came when the host accepted his award with mock-surprise and bantered with a giant Spider-Man head projected on a screen. In the span of a minute, the bit went from really amusing to wrong by making its wall-crawler work lewd, crude and blue. (Although the moment where Spidey blasted Julie Taymor’s troubled Spider-Man: Turn Off The Dark musical as “sh—y” took some admirable chutzpah.) Harris ended the bit, as designed, by asking the producers to “cut the feed.” I felt the same way–many times during the show. Harris (and Spider-Man) deserved better. But at least the actor finally got an award out of it. Memo to NPH: Don’t feel obligated to host every awards show that asks you to do so.

The show served not only to congratulate the videogame industry, but serve as a marketing platform to preview and promote a number of 2011 games that could afford the product placement showcases within the telecast. Naughty Dog, the studio behind the Uncharted franchise, aired a promo during the telecast to announce that the third installment in the series, Uncharted 3: Drake’s Deception, will be released on November 1, 2011–or 11/1/11. If you missed our scoop on the game, and you want more info on the plot and the kind of gameplay to expect, click here. The promo for Batman: Arkham City was riveting, and the tease for Mass Effect 3 gave me sci-fi-destructporn goosebumps. Monolithic robotic Reapers laying waste to London like War of the Worlds tripods on steroids? I’m in. But does that mean the game will be set on Earth? Or was the promo merely intended to be a capture-the-imagination vignette designed to dramatize what’s at stake in the game? Can’t wait until next year to find out. There were promos for other games, too, including Resistance 3 and Elder Scroll: Skyrim. Gamers, were you pleased by the winners? And what promos looked most promising to you?

More from EW:
Neil Patrick Harris on hosting the Video Game Awards


View the original article here

‘The Walking Dead’: Let’s meet this week’s zombie cover stars!

EW-COVER-1131_300.jpg People tend to know well ahead of time that we intend to put them on the cover of Entertainment Weekly. Not so the quartet of folks who are featured, in zombie form, on this week’s Walking Dead-celebrating issue alongside the show’s star, Andrew Lincoln. “One of my other zombie friends from the show texted me a picture and was like, ‘Look! You’re on the cover!’” says Alyssa Courtney Gruhn (a.k.a., “Bottom right cover zombie”). “I was like, ‘Whaaat?’ It came out of nowhere. It was pretty awesome.” Music store manager Charles Casey was similarly surprised to find himself following in the EW cover-decorating footsteps of such luminaries as Johnny Depp, Angelina Jolie, Julia Roberts, and, uh, the dog from Frasier. “I got a call from my boss, who subscribes, and he informed me that I was on the cover,” says Casey, who is the zombie on the far left. “I actually work next to a Barnes & Noble, so I gave the heads up to my friend who works there and he bought all the copies they got this week. I have 15 sitting in front of me.”

Maybe we should put non-A-listers on our cover more often. Think of all the extra copies we could sell! In the meantime, after the jump, our quartet of undead unknowns reveal how they got their Walking Dead roles in the first place, recall the heat-blasted Atlanta shoot, and tell us their zombie-playing secrets.

sonya-thompsonImage Credit: Matthew Welch/AMCSONYA THOMPSON
Entertainment Weekly: How did you get the Walking Dead gig?
ST: I was also a zombie on Zombieland and the agency that got me that audition said, “Hey, you’ve been chosen to be a zombie in The Walking Dead.” It just went from there. I attended zombie school, where they taught you how to move, and where they chose their 20 core zombies that were going to be featured.

EW: Is it worrying that you’ve been cast as a zombie twice?
ST: It is kind of a joke for me. Because I was also a zombie in Night of the Jackals, which is this little independent thing. Then I went to Zombieland, and in [TV movie] Ben 10 I was kind of like a zombie too. So when I got this one I was joking with the casting company that they were type-casting me. [Laughs]

EW: Is it true you’ve started to get invited to conventions.
ST: I have been invited to the Atlanta Comic Con, which is next weekend, and I’ve also been invited to one in Nebraska and that’s in June. The zombie thing seems to be really working for me. Hey, if I’ve got it, I’ve got it, right?

zombie-mainlandImage Credit: Matthew Welch/AMCLARRY MAINLAND
Entertainment Weekly: How did you get the Walking Dead gig?

LM: I’m a newbie to this whole thing. The Walking Dead is the first thing I ever did. A good friend of mine said, “You look like a zombie without any makeup. You really ought to put in for it.” I went, “Well, gee, thanks.” But he had done a couple of extra acting stints and he had a ball doing it. So I told my wife, “What the heck?” I put in my information thinking it would never happen and two minutes later I got a phone call. Greg Nicotero [Walking Dead makeup effects supervisor], he said, “You were one that has ‘The look.’”

EW: What’s your favorite memory from the shoot?
LM: It’s an overall memory. I was amazed at how nice Greg Nicotero and his crew from KNB were, in making us up and everything. Frank Darabont [Walking Dead executive producer and pilot director], he was an incredibly busy man. But he’d stop right in the middle of whatever he was doing to answer any question you had and to go out of his way to be friendly. And that’s not the way I thought directors were. The biggest memory? We all had the same thing. I live here, but it was incredibly hot that month. We had an index temperature during the tank scene that was 105. And I believe in that particular scene, I was wearing a sweater. It was like, “Okay, when they go “Cut!” we start stripping as best we can. Because it was hot. But it gave us all that dead look, I’m telling you. So it worked out good.

EW: What’s the secret to playing a zombie?
LM: Well, what Frank kept telling us was: “Quit trying to be everybody you see. Do it your way. If I see a horde coming down a street, I don’t want to see two people together. Because if everybody looks the same, I’ve got to cut and do it all over again.”

EW: Are you surprised by the success of the show?
LM: This has become a phenomenon. I think the top people knew this was going to happen. But all of us were surprised at how this thing has taken off. And even with us, we’re all going back and forth: “Man, that hour flew by!” We’re surprised you put us on the cover. But my picture was inside the Bullseye two weeks ago. There’s some good-looking guy in the middle [Joe Manganiello from True Blood] and I’m on the right side of him. People were telling me I was right beside the middle. I said, “No, that’s me in the middle!” [Laughs]

walking-dead-zombie_240.jpg Image Credit: Matthew Welch/AMCALYSSA COURTNEY GRUHN
Entertainment Weekly: How did you get the Walking Dead gig?
ACG: I’m an actress, but I actually got the gig because I was working at a haunted house in Atlanta called Netherworld. It’s one of the nation’s top haunted houses and the casting director sent an e-mail to the owner saying, “Tell all your employees to come out and audition.” So I auditioned and Greg Nicotero loved me. And I love him. He’s the coolest guy that I think I’ve ever met in my entire life. I got to be in a lot of cool stuff on the show. It was so much freakin’ fun.

EW: What scenes are you in?
ACG: I was at pretty much every zombie shoot. I was in the first scenes in the tank, but only I can really see myself, because there are so many other zombies. In the last episode, I was the zombie that attacked Ed in the tent and then directly after that I’m in the scene with Greg Nicotero when he’s getting Amy.

EW: Ed was actually the first person to get bitten onscreen in the entire show. Which makes you the first killer-zombie.
ACG: I’M THE FIRST KILLER ZOMBIE!!! I never thought of it that way. That’s awesome. I guess I am. But people were dying left and right that episode. That was crazy.

EW: What’s the secret to playing a zombie?
ACG: Everybody has their own style. I like to let my eyes focus on my surroundings, but I don’t focus on anything in particular. So it looks like you have a blank zombie stare on your face. And you kind of open up your mouth a little, just like you’re real dumb, like there’s nothing going on up there in your head. Basically, acting dumb is what I do. [Laughs]. And it works!

walking-dead-charles-casey_320.jpg Image Credit: Matthew Welch/AMC CHARLES CASEY
Entertainment Weekly: How did you get the Walking Dead gig?

CC: I manage a used CD and movie store in Atlanta called CD Warehouse. I’ve been reading the comic for a few years now and when I found out they were going to film here I sent my stuff in and was lucky enough to get in.

EW: What was the shoot like?
CC: Other than the miserable heat, it was a dream scenario. Like I said, I’ve been a fan of the comic for a long time. I love all the Darabont movies. I love Greg Nicotero’s work. While I was on set I had the chance to meet Charlie Adlard, who draws the comic. He played a zombie with us for two of the days. I met [Walking Dead comic writer] Robert Kirkman. Everybody was super pleasant. I still can’t believe I got paid to do it.

EW: How much have you been featured on the show?
CC: So far the majority of the scenes that I’ve done have either been cut or you’ve seen me in the background. They basically tiered the zombies out in makeup level. So ‘A’ would be like an hour, two hour job. ‘B’ would be a lighter job. ‘C’ would be a mask. And the episode that’s airing this Sunday, when they get to the CDC, that was the only day that I had an ‘A’ level makeup job. So I’m hoping this will be the week that you can actually see my face.

EW: Regardless, you’re definitely on the cover of our magazine!
CC: Exactly. It is definitely a dream come true. I was bummed in the beginning when people were getting the cover of Fangoria and Rue Morgue. Now that this has come out I was like, “Man, thank god I didn’t get any of that stuff!”

EW: Yeah, to hell with those guys! So, what’s the secret to playing a zombie?
CC: For me, it was really about trying to accentuate whatever they gave me for a makeup job that day. I would try to take my zombie motivation from the wounds they gave me.

EW: I think that’s the technique Judi Dench uses as well.
CC: That’s what we have in common! Greg Nicotero gave us some really great advice. It seems simple enough, but he said, “Just go to a bar at two or three o’clock in the morning and watch those people stumble out. That’s kind of what we’re going for.”

EW: Robert Kirkman told me Nicotero is always coming up with reasons why he has to play a particular featured zombie.
CC: Most definitely. I noticed he gave himself two really choice roles over the last two episodes! I don’t blame him. I know, especially when he attacked Amy, there was a lot of heavy prosthetics that had never been used before. Obviously you don’t want to stick one of us in that scene and have us ruin the prosthetics and have to reset everything. I was familiar with Nicotero’s work going in, but now that I’ve seen him so much on set, it’s really amazing how many times I see him pop up in [films]. He’s in from Dusk Till Dawn for a couple of seconds. He pops up in Inglourious Basterds. He was in Piranha. It seems like anything he works on, he works himself into at some point. But he definitely makes a great zombie!

More about The Walking Dead:
‘The Walking Dead’: This week’s EW cover story goes behind the scenes on TV’s best new show
‘Night of the Living Dead’: How a 42-year-old zombie movie refuses to die
‘The Walking Dead’ recap: The Sound, The Fury, and the Zombies
‘Walking Dead’ creator Robert Kirkman talks sbout last night’s episode, ‘Vatos’
‘Walking Dead’ comic creator Robert Kirkman talks about last night’s episode, ‘Tell It to the Frogs’
‘The Walking Dead’ recap: Dissecting Frogs


View the original article here

2010 in Music: The Year That Went Pop - Billboard

Imagine it's Jan. 1, 2010, and a psychic has laid out the following music predictions for the year:

--Ke$ha, the self-proclaimed "sick and sexified" singer of "TiK ToK," will not fade into obscurity. Instead, she'll release two albums and rack up three more Billboard Hot 100 top 10s before the year is up, the last of which will debut at No. 1.

Ke$ha: A Q&A With the Hot 100 Artist of the Year


--Lady Gaga will wear a meat dress, flip the bird at Yankee Stadium and pull rosary beads out of her mouth, but none of this will be as entertaining or successful as her music.


--"Biebermania" will not only show no sign of letting up, it will also afflict the Recording Academy, which will nominate the teen phenom for a best new artist Grammy Award.


--The cast of Fox's hit musical series "Glee" will surpass the Beatles' record for most appearances by a non-solo act on the Hot 100.


--B.o.B, a rapper who sings and plays guitar, and Bruno Mars, a Hawaiian who specializes in modern-day doo-wop, will help each other become famous with a tenderhearted duet.


--A 12-year-old Oklahoma boy will sign with Lady Gaga's management after performing "Paparazzi" at his school's talent show. Meanwhile, a 10-year-old "America's Got Talent" finalist will take her operatic seasonal EP to No. 2 on the Billboard 200, and another 10-year-old will have grown women whipping their hair back and forth.


--A song about a mythical private jet will hit No. 1 and gift us with the year's best new party terminology: slizzard.


--Only one rock band will reach the Hot 100 top 10 -- Train, with "Hey, Soul Sister."

Photos: Behind-the-Scenes of Billboard's Year-End Cover Shoot

In a year when some of the music industry's few remaining presumptions, such as "digital sales will keep growing" and "tours can withstand a weak economy," were subverted, no one can be blamed for not foreseeing all the ways in which pop music would take over the marketplace. But a takeover it was.

Seven of the year's 20 best-selling albums were by pop artists -- that is, in Billboard parlance, acts without significant success on our genre-based charts, such as Country, R&B/Hip-Hop, Modern Rock, etc. This compares with four in 2009 and two in 2005. The 2010 top 10 includes Susan Boyle's "I Dreamed a Dream," Lady Gaga's "The Fame," Justin Bieber's "My World" and "My World 2.0" and the Black Eyed Peas' "The E.N.D." If you expand the definition of pop to include Taylor Swift and Lady Antebellum, whose mainstream-leaning country hits were embraced at pop radio, and Eminem, whose "Recovery" featured some of his most unabashedly crossover songs to date, you could argue that nine of the top 10 albums speak to pop's dominance (all but Andrea Bocelli's "My Christmas").


The fact that Billboard's top two artists of the year, Gaga and Swift, didn't chart on Top R&B/Hip-Hop Albums is also telling. It's the first time that neither of the year's top two artists has graced that chart since 1997, when LeAnn Rimes and Spice Girls came in at Nos. 1 and 2, respectively.

But perhaps most striking is the way in which synth-driven, Auto-Tuned, four-on-the floor-influenced pop dominated the Hot 100. Of the 15 songs to reach No. 1 on the chart this year, just six fall outside of this descriptive: Eminem's "Not Afraid" and "Love the Way You Lie," Rihanna's "Rude Boy" and "What's My Name?", B.o.B featuring Bruno Mars' "Nothin' on You" and Mars' "Just the Way You Are." When these are the four artists delivering the closest thing to a slow jam, it's safe to say we've entered a new era.

"When you listen to radio now, it's all so much about tempo," says Barry Weiss, outgoing chairman/CEO of RCA/Jive Label Group, which can count Ke$ha, Usher and P!nk among this year's biggest success stories.

"We're in a golden spot for pop music, for sure," adds Antonio "L.A." Reid, chairman/CEO of Island Def Jam Music Group (IDJMG), whose artists Bieber, Rihanna and even Kanye West helped solidify pop's current boom. "I don't see it moving any time soon."

Next: The Grammys Give Pop the Love


View the original article here