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Monday, November 8, 2010

’127 Hours’: Were you able to watch the amputation scene?

127-hoursA strange phenomenon occurred at the theater when I went to watch 127 Hours yesterday — and I’m not talking about the baffling fact that some steel-stomached moviegoers walked into the film with snacks in-hand, apparently unfazed by reports of audience members fainting at screenings from the gore.

The oddity in question came just as this movie’s protagonist was about to cut off his own arm with the aid of a dull pocket knife. (That’s not really a spoiler, right?) As James Franco (playing trapped adventure junkie Aron Ralston) stuck his finger inside a puncture wound in his arm to begin the horrifying amputation process, I saw a wave of heads in the crowd disappear from my line of sight and settle into the shoulder of the person next to them. My non-scientific estimate — based on my observations from my seat at the back of the theater — would be that roughly one-third of the audience had little interest in seeing the rest of that scene.

The reaction would have come as less of a shock to me had the movie’s graphic scene come without warning, but we knew it was coming and that it was an important part of the story. (Personally, it was also the main reason my morbid curiosity and I bought a ticket.)

Perhaps my fellow audience members’ realistic estimates about their ability to handle the gruesomeness helped prevent any major incident during the screening. (Yes, no one fainted.) While that level of self-awareness should be applauded, I still think they kind of missed out.

What do you think, PopWatchers? Did you go watch 127 Hours this weekend? If so, were you able to watch the amputation scene? And did anyone faint at your screening?

Related:
EW Review: ’127 Hours’

On Twitter @EWSandraG


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8 'Wow!' reality TV moments

Dancing With the Stars performance recap: Divine Secret of the Cha Cha Sisterhood
Derek said he keeps forgetting Jennifer is 50. But we don't, because they keep telling us! Jennifer's health is catching up to her — I don't think it's her age as much as she's in recovery from cancer, which obviously has an effect on one's physical condition. I hate to watch contestants in pain, and Jennifer was in really rough shape emotionally. There were two bright spots in all of this rehearsal-footage drama: It gave Derek the opportunities to (1) level with her, ''It's fine. It's just a dance show.'' and (2) finally call Jennifer ''Baby''! —Annie Barrett

Read the full recap.


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‘Due Date’: Ethan Tremblay’s ‘Two and a Half Men’ fansite exists

two_and_a_half_menAdmit it: After seeing Due Date, you thought about Googling to see if “It’s Raining Two and a Half Men,“ the fansite Zach Galifianakis’ character, aspiring actor Ethan Tremblay, says he runs, exists. Let us save you the effort: It does. It doesn’t run as deep as one would expect from someone who was inspired to become a thespian after watching the show (particularly season 2), but it’s enough of a payoff for curious moviegoers. The page features one of Ethan’s headshots and two Two and a Half Men clips that may or may not be from actual episodes of the CBS comedy. That’s the beauty of Two and a Half Men, isn’t it? If you’ve seen the show or have heard how randy it is, it’s entirely possible that Charlie (Charlie Sheen) walked in on Alan (Jon Cryer) lying naked on his bed with his laptop having some “alone time.” Then again, SPOILER ALERT, they could have shot the scenes when they filmed the movie’s kicker. (Bravo, Two and a Half Men, for playing along. You should have a sense of humor when you’re TV’s most-watched sitcom.)

More Due Date:
Lisa Schwarzbaum reviews Due Date
Should Robert Downey Jr. reach out to Charlie Sheen? (Now it makes sense why David Letterman asked.)


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Lindsay Lohan -- Movie Night Gone Awry - TMZ.com

11/7/2010 2:59 PM PST by TMZ Staff   Lindsay Lohan tried to enjoy a night out of rehab by taking in a movie -- but things didn't go as planned ... sources tell TMZ.

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Lindsay was spotted at the Century Rancho Mirage movie theater last night, located about three miles away from the Betty Ford Center. A movie theater employee tells TMZ Lindsay tried to see a movie, but started to get noticed by other moviegoers and decided to leave instead.

According to spies, Lindsay visited a Borders bookstore located right near the theater. According to Hollyscoop.com, who first reported Lindsay's night out, she picked up a couple of magazines and then left.

Tags: Lindsay Lohan


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Lady Gaga, Katy Perry, Justin Bieber Light Up EMA Show - MTV.com

Live from the home of the current World Cup champions, the 2010 MTV Europe Music Awards in Madrid, Spain was a winning night for pop music. Stars like Katy Perry, Rihanna, Ke$ha and more picked up trophies and shut down the stage at the city's Caja Magica venue. Viewers can check out the festivities Sunday night (November 7) at 9 p.m. at MTV2 and Friday night at 9 p.m. on MTV.

Host and "Desperate Housewives" star Eva Longoria kicked off the show heralded by bursts of fog and pyro as a slinky silhouette appeared James Bond-style in the middle of the stage's huge circular set piece. However, instead of completing the entrance with some insanely agile spy move, the Latina diva gracefully strolled onto another part of the stage in a vampy brown number, quipping that the silhouetted woman was a stand-in, and that she didn't want to ruin her dress. The moment set the tone for the night, which was chock full of copious amounts of pyrotechnics, show-stopping fashion and elaborately executed performances.

The big moments really began before the main event when hip-hop superstar (and onetime EMA stage-crasher) Kanye West surprised fans during 30 Seconds to Mars' preshow gig. The MC hit the stage for his 30STM collabo "Hurricane," and then rocked a brief rendition of "Power."

Colombian powerhouse Shakira was the first to shake things up on the main stage, shimmying in fringed bottoms for her jam "Loca" with UK spitter Dizzee Rascal. Then the superstar, who also won the Free Your Mind award for her humanitarian efforts, aptly launched into the World Cup anthem "Waka Waka (This Time For Africa)" as enormous flags were waved through the air.

Southern rockers Kings of Leon turned in an epic performance of "Radioactive" that rivaled the grand scale of the Caja Magica. The crew brought an energy to the show that was different from a lot of the acts, showcasing their performance chops instead of tinkering with fussy theatrics.

Newlywed Katy Perry was the polar opposite, heaping tons of firepower onto her set and dazzling fans with her first post-wedding, awards-show performance. Performing "Firework" outdoors at the city's Puerta de Alcala stage, the singer, who also took home Best Video for "California Gurls," donned a glittery catsuit and belted the single among the raging bursts of pyrotechnics.

Rihanna recreated the summery vibe of her "Only Girl (In The World)" video by dotting the stage with several daisies, kicking off the song seated atop a pedestal in a white bustier. Rocking a bejeweled crown and flower-laden skirt, the singer switched up the energy when the chorus dropped as several guys in suits filled the stage and chucked confetti from briefcases.

Miley Cyrus channeled her inner vamp in a lacy leotard and tons of hair flips for her rendition of "Who Owns My Heart" flanked by ladies who were also decked out in lingerie looks and fellas grooving in suits.

Ke$ha hit the stage in Day-Glo face paint for a revamped version "Tik Tok," which featured a house music-friendly breakdown. The Best New Act winner pumped up the eye-popping performance tons of bouncing balls and otherworldly-looking dancers.

Like Perry, Linkin Park took their performance of "Waiting for the End" outside to the Puerta de Alcala stage, crooning to a mass of Spanish fans waving their fists in the air as the band rocked the A Thousand Suns single. The band had accepted the award for Best Live Act earlier in the show before lighting up the stage.

Other highlights of the show included Longoria's run-in with past EMA host Katy Perry, who advised her to make more costume changes before undressing the actress until she was wearing nothing a leg-baring bodysuit. Justin Bieber served as the event's digital host, adding his teen flair throughout the show via pre-taped messages and even taking home a pair of trophies for his own for Best Male and Best Push Artist.

Even though Lady Gaga couldn't physically attend, due to her show in Budapest, the pop sensation accepted her three trophies for Best Pop, Best Song and Best Female in a her signature outrageous get-ups live from her Hungary performance.

Other winners included Eminem for Best Hip-Hop, Tokio Hotel for Best World Stage Performance and Marco Marconi for Best European Act. Bon Jovi, who received the Global Icon award, closed the show with the final performance of the night.

The 2010 EMAs will air on MTV2 on Sunday at 9 p.m. ET, and an edited, performance-heavy version will be broadcast Friday, November 12, at 9 p.m. ET on MTV.


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Michael Jackson's 'Breaking News' -- The Real Deal - TMZ.com

11/7/2010 3:07 PM PST by Harvey Levin   Hey, it's Harvey. We usually don't write first person on TMZ, but I gotta tell you what I just heard.

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Someone has played me the song "Breaking News." I'm not a music expert, but I am a Michael Jackson music fan ... and it's definitely Michael Jackson. The song -- which is awesome -- is a pretty harsh look through Michael's eyes at the media. In essence, he is saying ... You've treated me shabbily and you've hope for my demise, but I'm back!

One of the lyrics:
"They want to see that I fall,
cause I'm Michael Jackson.
You write the words to destroy
like it's a weapon."

In another part of the song, Jackson sings:
"Everybody wanting a piece of Michael Jackson.
Reporters stalking the moves of Michael Jackson.
Just when you thought he was done,
he comes to give it again."

The song is vintage Jackson. The initial beat will remind you of "Billie Jean" and there are all sorts of MJ trademarks throughout.

When you hear it, you will not be able to suppress the image of Jackson dancing to the song.

The song was recorded at the home of music producer Eddie Cascio, when Michael Jackson was living there for four months in 2007.

As good as the song is ... it's not the first single that will be released. We're told we might be able to post a copy of  "Breaking News" on TMZ as soon as late tonight.

Tags: Michael Jackson, Eddie Cascio, Music


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'Muppets' are back: First Look!

It's time to play the music! It's time to light the lights! It's time to raise the curtain on... The Muppets! After a decade spent largely out of the pop culture limelight, doing whatever semiretired celebrity puppets do, Kermit the Frog, Miss Piggy, Gonzo, Fozzie Bear, and the rest of the gang are starting production this month on the first big-screen Muppet movie in 11 years. And co-writer Jason Segel, who also stars in the movie (out Christmas 2011), is setting the bar pretty high, hoping to recapture the magic of the late Jim Henson's vision. ''We've worked really hard to stay true to the original spirit of the Muppets,'' Segel says. ''We've missed the same thing everyone else has been missing.'' —Josh Rottenberg

For more on the new Muppet movie pick up a copy of the Nov. 12, 2010, issue of Entertainment Weekly.


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'Sherlock': 'Game' for more?

Sherlock wraps up its too-brief, three-episode run tonight on PBS’  Masterpiece Mystery! with another strong entry, “The Great Game.” Based on an Arthur Conan Doyle short story, the adventure has Benedict Cumberbatch’s Holmes chasing after a terrorist who straps explosives to innocent people and has them deliver cryptic messages to our hero, with deadlines for him to solve the clues before the victims go ker-blooey.

The episode includes a clever call-back to the series’ first episode, with Holmes chiding Martin Freeman’s Watson for writing up their first adventure on his blog as “A Study In Pink.” (Holmes scoffs at the title, of course.)

Sherlock works so well because its modernization did not throw away the playful yet intricate plotting that makes Doyle’s tales so enduring. That, and the fact that Cumberbatch and Freeman are a truly inspired Holmes and Watson — Cumberbatch letting loose with just the proper amount of arrogant foppishness, and Freeman delivering priceless sighs and double-takes in reaction to Holmes’ ceaseless deductions.

The good news is that a second series of Sherlock adventures is scheduled to be broadcast in Britain this fall, and if PBS has any sense, it’ll schedule them here as soon as possible after that. Meanwhile, the DVD of this first season goes on sale here on Nov. 9, and it includes the pilot episode, which didn’t air either on PBS or in England.

So: Would you want to see another season of Sherlock?

Twitter: @kentucker


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Box Office Report: ‘Megamind’ dominates record weekend with $47.7 mil

megamind-box-officeImage Credit: DreamWorks AnimationA trio of new releases propelled the box office to a record weekend, and DreamWorks Animation’s and Paramount Pictures’ Megamind led the way with $47.7 million, according to studio estimates. The $130 million CG-animated comedy starring Will Ferrell, Brad Pitt, and Tina Fey got off to a slightly underwhelming $12.5 million start on Friday. But the superhero flick skyrocketed 65 percent on Saturday as parents, starved for a family film to take their tots to, stormed the local multiplex. According to Paramount, 52 percent of Megamind‘s audience was less than 25 years old, and 66 percent of the movie’s earnings came from 3-D screens. For DreamWorks Animation, Megamind was their seventh best debut, topping this year’s How to Train Your Dragon, but falling short of summer blockbusters such as Kung Fu Panda and the three Shrek sequels. For Paramount, Megamind marks the studio’s third No. 1 opening in four weeks. The folks on Melrose Avenue will have plenty to be thankful for in a couple of weeks.

Second place went to the Due Date, starring Robert Downey Jr., Zach Galifianakis, and a horny French bulldog. The Warner Bros. film, which was co-produced by Legendary Pictures, grossed $33.5 million — a great tally for an R-rated comedy, but short of director Todd Phillips’ last project, The Hangover, which debuted to $45 million. Due Date scored a middling “B-” rating from CinemaScore audiences. However, the younger the moviegoer was, the more likely he or she gave the film a better grade. (Those under 18 rated it an “A-”). Since 59 percent of its audience was under the age of 35, Due Date may hold up better than its CinemaScore indicates.

Tyler Perry’s For Colored Girls, an adaptation of the acclaimed play For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, premiered in third place with $20.1 million. That’s lower than usual for the director, but still a very respectable opening, especially when considering that the film is Perry’s first to be rated R. For Colored Girls played a bit older than normal for Perry’s movies, with 87 percent of the audience more than 25 years old. The serious drama, with its all-star female ensemble including Kimberly Elise, Whoopi Goldberg, Thandie Newton, Kerry Washington, and Janet Jackson, had no trouble attracting Perry’s most supportive fanbase — African-American women. According to Lionsgate, 81 percent of the audience was African American, and 82 percent was female. And with an “A” rating from CinemaScore audiences, Perry’s fanbase clearly loved what they saw.

Summit’s Red continued its slow-motion descent, slipping a minuscule 17 percent to secure fourth place with $8.9 million. The action comedy, starring Bruce Willis, Morgan Freeman, Helen Mirren, and John Malkovich, has pulled off the rare feat of dropping each week by a smaller percentage than the week before. Red fell 31 percent its second weekend, then 29 percent, and now 17 percent for a four-week tally of $71.9 million. In fifth place was Saw 3D, which collapsed 64 percent its second weekend for $8.2 million. In limited release, Danny Boyle’s Oscar hopeful, 127 Hours, grossed $266,000 from just four locations for a stupendous per-theater average of $66,500. And the action thriller Fair Game, starring Naomi Watts and Sean Penn, snared $700,000 from 46 sites — a solid, if not extraordinary, per-theater average of $15,217.

Overall, the box office earned an estimated $157 million this weekend, breaking the 2003 record of $153 million for the first frame of November. Check back next weekend as another trio of films invades theaters — the alien thriller Skyline, the comedy Morning Glory, and the runaway-train action film Unstoppable.

1. Megamind — $47.7 mil
2. Due Date — $33.5 mil
3. For Colored Girls — $20.1 mil
4. Red — $8.9 mil
5. Saw 3D — $8.2 mil


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Five Things To Know About Brad Penny - People Magazine

Five Things To Know About Brad Penny | Karina Smirnoff Karina Smirnoff and Brad Penny

Gustavo Caballero/Getty

Dancing with the Stars pro Karina Smirnoff broke the happy news to PEOPLE on Saturday that she and baseball player Brad Penny are engaged.

So, who is this guy?

Dancing fans were quite familiar with Smirnoff's ex fiancé, fellow pro Maksim Chmerkovskiy, (the pair called off their engagement last year), but much less is known about Penny, who proposed in October. Want to get to know him a bit better?

1. He's an Oklahoma boy
The strapping pitcher (he's 6'4", 230 lbs.) was born in Blackwell, Okla., and attended Broken Arrow Senior High School. Another well-known alum from the school? Kristin Chenoweth.

2. It's no wonder he could buy her that rock
The 32-year-old presented Smirnoff, also 32, with a 4.5 carat Asscher Cut diamond, but it probably didn't break the bank: As a starting pitcher (with 10 years of experience) for the St. Louis Cardinals, Penny's salary is a reported $7.5 million.

3. He's well-traveled
Before joining the Cardinals, Penny played for the Florida Marlins, the L.A. Dodgers, the Boston Red Sox and the San Francisco Giants.

4. He's got a modest fan base
Currently, Penny's got 1,912 "likes" on his Facebook page, a number that will surely go up now that he’s got a high-profile bride to be.

5. He's got a good sense of humor – and a good heart
In 2005, Sports Illustrated bet 19-year-old Marlins bat boy Nick Cirillo $500 that he couldn't drink a gallon of milk in an hour without throwing up. Cirillo lost the bet and was suspended by his team for six games, but Penny promised to cover his wages and quipped, "It's kind of ridiculous that you get a 10-game suspension for steroids and a six-game suspension for milk."


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Clayburgh's Unforgettable 'Unmarried Woman' - New York Times

“As Miss Clayburgh plays this scene,” Vincent Canby wrote about “An Unmarried Woman” in 1978, “one has a vision of all the immutable things that can be destroyed in less than a minute, from landscapes and ships and reputations to perfect marriages.” But she proved that a reputation could be made in less than a minute too.

Has any actor’s career ever been more powerfully affected by a prefix? It was the “un” in “Unmarried” that established Ms. Clayburgh’s creative power. Women’s roles had been changing irrevocably, and a new assertiveness was being established and understood. But the usual story lines of that era followed female characters’ quests for independence and authority. Heroines rebelled. They picked themselves up and moved out. They took action. They weren’t acted upon.

Their roles were often sharply defined, but Erica’s was not. Paul Mazursky, the writer and director, had a divorced friend who described herself as “an unmarried woman” on a mortgage application. Extrapolating from that, he envisioned the story of a Manhattan wife set adrift. But Ms. Clayburgh’s shaping of the character was utterly and unmistakably her own, just as surely as its impact on female movie audiences was universal. And the unaffected nature of the performance became its most distinctive feature. She didn’t have the tics of Diane Keaton, the steel of Jane Fonda, the feistiness of Sally Field, the uncanny adaptability of Meryl Streep. She simply had the gift of resembling a real person undergoing life-altering change. In her signature role, that was enough.

“Mr. Mazursky has written a marvelous role for the actress, so I suppose it’s not unfair of him to depend on her to carry the movie,” Mr. Canby wrote. Carry it she did.

Ms. Clayburgh, who died at her Connecticut home on Friday at 66 after living with chronic leukemia for 21 years, had been on stage and screen for a decade before giving this definitive performance. But she could be awkwardly miscast and at first often was. She was blond, willowy and beautiful, but she was about as much like Carole Lombard as James Brolin was like Clark Gable (“Gable and Lombard,” 1976). Without “An Unmarried Woman” she might never have found her niche.

But once she did, she began a streak. She went from playing an opera star in Bernardo Bertolucci’s 1979 “Luna,” one of the most conversation-stopping films ever to open the New York Film Festival. She made widely seen comedies about smart, interesting women (“Starting Over” in 1979, “It’s My Turn” in 1980). She even turned up on the Supreme Court (“First Monday in October” in 1981), a likable presence even in highly unlikely circumstances. “The F.B.I. is wrong in reporting to you that I have no children,” she had to tell cinematic senators in that film. “Ideas are my children, and I have hundreds of them.”

Then she and her husband, the playwright David Rabe, had real children, Lily and Michael. And although Ms. Clayburgh kept working, her public presence grew more intermittent, the available film roles more motherly or eccentric. (She appeared in the 2006 film version of Augusten Burroughs’s “Running With Scissors.”) She was so greatly missed that any major appearances were apt to be described as comebacks (two television series in the late ’90s, “Barefoot in the Park” on Broadway in 2006), but the roles that should have been welcoming hardly existed anymore. Only in life did anyone wonder what had become of all those Ericas 30 years later.

She remained elegant, lovely and so recognizable that she became accustomed to being treated as an avatar. “My God, you’ve defined my entire life for me,” one weeping “Unmarried Woman” fan told her in 2002, and that experience was apparently not unusual for her. When she and Lily, an actress, roomed together in Manhattan in 2005 as both of them prepared for stage appearances, a writer for The New York Times visited the 61-year-old eternal heroine and still saw her unforgettable movie persona.

“Jill Clayburgh appears to be living in an updated Jill Clayburgh vehicle,” Nancy Hass wrote. “Fluttery-yet-determined mom flees comfortable exurban married life to share tiny Manhattan apartment of headstrong, aspiring-actress daughter. Conflict, hilarity and, of course, self-actualization ensue.” For Jill Clayburgh, in both her life and work, that’s just what happened.


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'127 Hours': Look or turn away?

127-hoursA strange phenomenon occurred at the theater when I went to watch 127 Hours yesterday — and I’m not talking about the baffling fact that some steel-stomached moviegoers walked into the film with snacks in-hand, apparently unfazed by reports of audience members fainting at screenings from the gore.

The oddity in question came just as this movie’s protagonist was about to cut off his own arm with the aid of a dull pocket knife. (That’s not really a spoiler, right?) As James Franco (playing trapped adventure junkie Aron Ralston) stuck his finger inside a puncture wound in his arm to begin the horrifying amputation process, I saw a wave of heads in the crowd disappear from my line of sight and settle into the shoulder of the person next to them. My non-scientific estimate — based on my observations from my seat at the back of the theater — would be that roughly one-third of the audience had little interest in seeing the rest of that scene.

The reaction would have come as less of a shock to me had the movie’s graphic scene come without warning, but we knew it was coming and that it was an important part of the story. (Personally, it was also the main reason my morbid curiosity and I bought a ticket.)

Perhaps my fellow audience members’ realistic estimates about their ability to handle the gruesomeness helped prevent any major incident during the screening. (Yes, no one fainted.) While that level of self-awareness should be applauded, I still think they kind of missed out.

What do you think, PopWatchers? Did you go watch 127 Hours this weekend? If so, were you able to watch the amputation scene? And did anyone faint at your screening?

Related:
EW Review: ’127 Hours’

On Twitter @EWSandraG


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Lady Gaga Tops MTV European Music Awards - Billboard

Pop sensation Lady Gaga topped the winners at the MTV European Music Awards 2010 in Madrid, scooping the awards for best pop, best female and best song for "Bad Romance."

Lady Gaga thanked MTV and her fans via satellite from Budapest, where she was performing the latest date on her Monster Ball tour -- unable to attend the gala ceremony hosted by Eva Longoria.

Justin Bieber snagged the best male and best push artist categories in a night packed with high-energy performances from Shakira, Linkin Park, Rihanna, Katy Perry, 30 Seconds to Mars and Bon Jovi, among others.

Lady Gaga, Katy Perry Set to Dominated MTV EMAs

Linkin Park picked up best live stage performance as it took the stage for its outdoor concert at Madrid's emblematic Puerta de Alcala monument, beamed live for the 8,000 attendees in the Caja Magica arena, where the EMAs took place.

30 Seconds to Mars -- which shared a surprise duet with Kanye West -- won best rock group, while German rockers Tokio Hotel picked up the best world stage category.

Newly married Perry walked away in her red sequined "admit one" mini-dress with the nod for best video compliments of her "California Gurls," which she also performed for the 70,000 fans at Puerta de Alcala.

Eva Longoria Makes a Rap Video for MTV EMAs

Eminem took the best hip-hop award, and Ke$ha won best new act, while Paramore won best alternative, and Italian Marco Mengoni snatched best European act.

Best new act nominee B.o.B made his EMA debut, performing his hit "Airplanes" with Paramore's Hayley Williams, while rocker Kid Rock electrified the auditorium with an explosive rendition of "Born Free" and Miley Cyrus waxed sophisticated with "Who Owns My Heart."

Shakira won the Free Your Mind Award in recognition of her commitment to making education accessible to children around the world.

The inaugural MTV EMA Global Icon award went to Bon Jovi, who performed a rock medley featuring a trio of hits including the band's most recent single, "What Do you Got," from their 2010 Greatest Hits album, as well as seminal rock mega-hits "You Give Love a Bad Name" and "It's My Life."

The MTV EMAs broadcast live around the world to more than 600 million households via the MTV multimedia network. More than 46 million votes were cast by music fans voting for their favorite artists, a 32% rise over the 2009 awards.


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Drake Says Lil Wayne Was 'Fresh' In Las Vegas - MTV.com

By Hillary Crosley, with reporting by Sway Calloway

Imagine you hadn't seen one of your good friends for a long time and they surprised you—in front of 4500 people. That's how rapper Drake felt during his Lights Dreams And Nightmares Tour finale when Lil Wayne took the stage on Saturday (November 6) in Las Vegas.

"The show was going great, then after the hook of "Miss Me" I just heard ... Wayne's verse," said the Toronto MC. "That was the first time I've seen him since he's been out. I did a show in LA [the night before Lil Wayne was released] and that time on stage was my first time seeing Wayne out of jail."

In September, Wayne wrote "Please don’t expect me to come out looking any different. I’m the same little ‘ol me," in one of his letters—highlights of which RapFix rounded up for you—on his fan site WeezyThaxYou.com. But contrary to what the MC said himself, Drake said the Young Money Cash Money captain seemed a bit bigger than before.

"He looks like he's been working out crazy," said Drake with a laugh. "It was just incredible man to see this man come out and it was like nothing changed. He had the glasses with the tag dangling, he was just fresh to death, no shirt, just thuggin' it! It was such a real moment. I couldn't control it, I really did almost jump through the roof, I jumped so high."

So high in fact that some on the Thank Me Later MC's team worried that he might injure his knee, on which he underwent surgery last year.

"Yo, I think everybody [thought] 'What's this man doing?' But I couldn't control it, that being the moment that I see him? Knowing that [he was performing], would've been great because then I could've been like 'Man, these people are about to be so excited' but I had no idea," admitted the MC.

Stick with MTV News throughout the weekend for up-to-the-minute reports on Lil Wayne's prison release as we follow him from Rikers Island to his celebrations at home and beyond. Follow us on Twitter @MTVNews for instant updates and bookmark weezywatch.mtv.com for complete, round-the-clock coverage.

Were you at Drake's Las Vegas show where Lil Wayne appeared? Tweet us at @MTVRapFix or tell us in a comment below!

Tags Drake, Lights Dreams And Nightmares, lil wayne, prison, release


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